
Gadi Country Redfern, NSW
City of Sydney
2020-2024
Djinjama Jean Rice Architect Dr Noni Boyd City of Sydney
This project began with a relatively simple brief – to address and meet accessibility compliances in a heritage-listed Post Office building in Redfern that was being converted into a community centre for the local Aboriginal and Torres Strait Islander communities. While undertaking a comprehensive analysis of the building’s social, material and cultural histories, however, we realised the project required a far more holistic approach to accessibility: one that also addressed its colonial heritage. How can a place feel culturally safe and inviting? Could this site’s multiple histories be acknowledged and embedded in its fabric?
These questions were explored through collective conversations with an assembled project team, who brought together heritage expertise, Indigenous knowledge, community connections and design know-how that turned a formerly hostile environment into a place with deep connections to Country.
The design approach responds to the Indigenous theory and practice of “enoughness”, which Indigenous Designer Dr Danièle Hromek of Djinjama describes as “never take more than you need.” Working alongside Hromek, Heritage Architect Jean Rice and architectural historian Dr Noni Boyd, the project reconnects visitors to Gadigal Country in both physical and spiritual forms.
Colonial symbols are removed, former additions stripped back, systems restored, and natural light invited in throughout. As an alternative to the busy formal entrances that were originally on George and Redfern Streets, visitors of the Facility are now directed through a new entry that recalibrates what it feels like to enter a building, offering instead a walkway through a shared path between.

The entry to the building is moved to the shared laneway.
By redirecting visitors away from the formal street corner of
the colonial building, a new arrival experience is created.

1890s Archival photograph of the building showing the original exposed sandstone base and polychromatic brickwork.
Source: Museums of History NSW - State Archives Collection.

Old and new faces of the building.



‘Powerful Owl,’ Neville William Cayley, 1886-1950
Source: Australian National Botanic Gardens
“The act of laying these materials has been carefully considered, including the pattern and location in which each material is placed. These patterns, textures and forms relate to stories of Country, of the underlying and surrounding natural ecology that still abides, waiting to regain its place.”
Aileen Sage Architects and Danièle Hromek, ‘Reconnecting Architecture with Country at 119 Redfern Street’
’Reclaiming Colonial Architecture’, Ed. T.Sengupta & S.King, RIBA Publishing , 2024



The bricks and detailing of the original residential entry are revealed. The colours and qualities of the clay and sandstone, recognised as materials taken from this Country, are treated with dignity and care.

Threshold details with rough edges and inlays
acknowledge the layered history of the site.

Exploded axonometric illustration of the new building entry,
inserted new amenities and circulation areas.
"The Work at 119 Redfern Street has allowed Gadigal Country to breathe again."
Christine Phillips, Architecture AU

We challenge the very walls of the building
by inviting natural light in throughout.



A bench in salvaged Ironbark supports incidental social interactions or quiet contemplation.

Blocks of sandstone from the building foundations provide places to sit along the building edges and street front.
The former residential street address of the building is reopened, re-addressing the street.
Hamish McIntosh, Anthony Geernaert, Vaishnavi Bopiah
Public Architecture Award, AIA NSW
Heritage Architecture, National Trust NSW
Adaptive Reuse (Alteration/Addition), Sustainability Awards
Heritage, AIA NSW
Public Architecture, AIA National Awards