119 Redfern Street

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119 Redfern Street

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A sensitive conversion and rethinking of a colonial Post Office into a cultural hub for the local Redfern Aboriginal and Torres Strait Islander community.

Location

Gadi Country Redfern, NSW

Client

City of Sydney

Completion

2020-2024

Collaborators

Djinjama Jean Rice Architect Dr Noni Boyd The City of Sydney


Old & New
Public
Cultural

This project began with a relatively simple brief – to address and meet accessibility compliances in a heritage-listed Post Office building in Redfern that was being converted into a community centre for the local Aboriginal and Torres Strait Islander communities. While undertaking a comprehensive analysis of the building’s social, material and cultural histories, however, we realised the project required a far more holistic approach to accessibility: one that also addressed its colonial heritage. How can a place feel culturally safe and inviting? Could this site’s multiple histories be acknowledged and embedded in its fabric?

These questions were explored through collective conversations with an assembled project team, who brought together heritage expertise, Indigenous knowledge, community connections and design know-how that turned a formerly hostile environment into a place with deep connections to Country.

The design approach responds to the Indigenous theory and practice of “enoughness”, which Indigenous Designer Danièle Hromek of Djinjama describes as “never take more than you need.” Working alongside Hromek, Heritage Architect Jean Rice and architectural historian Dr Noni Boyd, the project reconnects visitors to Gadigal Country in both physical and spiritual forms.

Colonial symbols are removed, former additions stripped back, systems restored, and natural light invited in throughout. As an alternative to the busy formal entrances that were originally on George and Redfern Streets, visitors of the Facility are now directed through a new entry that recalibrates what it feels like to enter a building, offering instead a walkway through a shared path between.

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The entry to the building is moved to the shared laneway.
By redirecting visitors away from the formal street corner of
the colonial building, a new arrival experience is created.

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1890s Archival photograph of the building showing the original exposed sandstone base and polychromatic brickwork.

Source: Museums of History NSW - State Archives Collection.

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Old and new faces of the building.

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Sydney sandstone from the foundations of the existing building, salvaged bricks and materials from
the Council depot and nearby demolition sites are reused, carefully placed and reconsidered.

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Salvaged stone pavers create a new shareway between adjoining sites.

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‘Powerful Owl,’ Neville William Cayley, 1886-1950
Source: Australian National Botanic Gardens

“The act of laying these materials has been carefully considered, including the pattern and location in which each material is placed. These patterns, textures and forms relate to stories of Country, of the underlying and surrounding natural ecology that still abides, waiting to regain its place.”

Aileen Sage Architects and Danièle Hromek, ‘Reconnecting Architecture with Country at 119 Redfern Street’
’Reclaiming Colonial Architecture’, Ed. T.Sengupta & S.King, RIBA Publishing , 2024

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The natural, cultural and historic heritage is interpreted through the materiality,
patterning and design of the right of way, new lift tower and lift lobby.

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The bricks and detailing of the original residential entry are revealed, the
colours and qualities of the clay and sandstone, recognised as materials
taken from this Country, are treated with dignity and care.

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Threshold details with rough edges and inlays
acknowledge the layered history of the site.

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Exploded axonometric illustration of the new building entry,
inserted new amenities and circulation areas.

"The Work at 119 Redfern Street has allowed Gadigal Country to breathe again."

Christine Phillips, Architecture AU

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We challenge the very walls of the building
by inviting natural light in throughout.

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A bespoke bench made in recycled Turpentine Ironbark timber supports
incidental social interactions or quiet contemplation.

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Blocks of sandstone from the building foundations provide places
for sitting along the building edges and street front.

The former residential street address of the building is reopened, re-addressing the street.

Team

Amelia Holliday
Isabelle Toland
Yvette Salmon
Mitchell Bonus
Eren Harding

Credits

Photography

Hamish McIntosh, Anthony Geernaert, Vaishnavi Bopiah


Awards

Award

Public Architecture Award, AIA NSW


Award

Heritage Architecture, National Trust NSW


Award

Adaptive Reuse (Alteration/Addition), Sustainability Awards


Commendation

Heritage, AIA NSW


Shortlisted

Public Architecture, AIA National Awards


4-22 Wentworth Avenue